Like many Brazilians, Maia, who would have turned 70 last month, had a mixed racial background: his grandfathers were Portuguese and Italian, his grandmothers of African and Amerindian descent. But from the moment he first heard the music of Little Richard as a teenager, he chose to identify himself as black, and his most significant contribution to his country’s culture was to bring black American pop styles — first soul, then disco and funk — into the Brazilian mainstream.
Este perfil de Tim Maia para "The New York Times", assinado pelo
famoso Larry Rohter, é "velho" para os padrões da internet. Todo mundo já deve ter lido. Mas vai que alguém seja atrasado, como eu.
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Essa fase de Sebastião Maia produziu um dos meus discos preferidos, ever |
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